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Robert Burns and Masonry in Dumfries under scrutiny

A ground-breaking research project is set to shed light on the connections between Scottish poet Robert Burns and Freemasonry in Dumfries. The University of Glasgow’s Centre for Robert Burns Studies has appointed a PhD scholar for the project, which will explore Burns’ involvement with Freemasonry during his time in Dumfries. The Grand Lodge of Ancient Free and Accepted Masons of Scotland is funding the scholarship, which aims to delve into how Freemasonry influenced Burns’ writing and his contribution to Scottish cultural nationalism.
Robert Burns, a dedicated Freemason, was Senior Warden of Lodge St Andrew No 179 Dumfries until his death in 1796. His Masonic apron is prominently displayed at the museum of the Grand Lodge of Antient Free and Accepted Masons of Scotland in Edinburgh. Burns had significant Masonic connections in Edinburgh and Ayrshire as well. His Masonic affiliations provided him with crucial support and patronage throughout his literary career.
The three-year PhD project will involve studying Burns’ interactions with Freemasonry and how it influenced his work. The research will culminate in scholarly outputs and public engagement activities, including exhibitions and presentations on Burns and Masonry. The scholar leading the project, Patrick Jamieson, expressed gratitude for the opportunity to explore this understudied aspect of Burns’ life. With unprecedented access to the Grand Lodge’s archives, Jamieson aims to uncover new insights into Burns’ relationship with Freemasonry.
Burns’ prominence in Masonic circles was evidenced by his early initiation into Lodge St David, Tarbolton, and his subsequent election as Depute Master of Lodge St James. His connections within the Masonic community bolstered his literary career, with Masons subscribing to his works and even toasting him as ‘Caledonia’s bard’. The new research project will provide a deeper understanding of the role Freemasonry played in Burns’ life and career.
The PhD project will be supervised by experts in Burns studies, Dr Pauline Mackay and Professor Gerard Carruthers. Professor Carruthers highlighted the significance of Masonic networks in boosting Burns’ career and providing him with support. This scholarship offers an opportunity to explore the profound impact Freemasonry had on Burns and his contributions to Scottish culture.
In conclusion, the research project investigating Robert Burns’ connections with Freemasonry in Dumfries presents a unique opportunity to delve into a lesser-known aspect of the poet’s life. By examining how Freemasonry influenced Burns’ writing and career, the project aims to provide valuable insights into the intersection of literature and fraternity in Scottish history. The support of the Grand Lodge of Ancient Free and Accepted Masons of Scotland underscores the significance of this research in illuminating Burns’ enduring legacy.