Legendary figure ‘found’ in Michelangelo masterpiece 500 years later – can you spot it?

In a fascinating discovery reminiscent of a mystery novel, experts have recently revealed a hidden figure in one of Michelangelo’s most iconic artworks, The Last Judgement. This revelation comes centuries after the masterpiece was created and has sparked intrigue among art enthusiasts worldwide. Sara Penco, the author of the new book “Mary Magdalene in Michelangelo’s Judgement,” has shed light on what is believed to be the face of Mary Magdalene in the corner of the artwork that adorns the altar wall of the Sistine Chapel in Vatican City.

The figure, resembling Mary Magdalene with blonde hair and dressed in yellow, is positioned beneath a male figure supporting a cross. While the male figure has traditionally been interpreted as Simon of Cyrene, who helped carry Jesus’s cross, Sara proposes that he also represents Jesus, alongside the central image of Christ in the painting. According to Sara, the figure with the cross gazes directly at Mary Magdalene, suggesting a deeper connection between the two characters in the artwork.

Mary Magdalene, a significant biblical figure known for her close association with Jesus, is a prominent presence in the gospels, mentioned more frequently than most apostles and other women. Despite varying interpretations of her role as either a repentant sinner or a trusted companion of Jesus, Mary’s importance in Christian history cannot be understated. The discovery of her depiction in Michelangelo’s masterpiece adds a new layer of meaning to the renowned artwork, inviting viewers to reconsider its symbolism and narrative.

Michelangelo’s creation of The Last Judgement spanned over four years, from 1536 to 1541, marking a significant period of his artistic career. The painting, initially met with controversy due to its depiction of nudity, has continued to captivate audiences with its intricate details and profound themes. The recent identification of Mary Magdalene’s presence in the painting highlights the ongoing exploration of hidden messages and symbols in Renaissance art, enriching our understanding of this timeless masterpiece.

In conclusion, the unveiling of Mary Magdalene in Michelangelo’s The Last Judgement offers a fresh perspective on a classic artwork, unveiling layers of meaning and symbolism that have remained hidden for centuries. This discovery piques curiosity and underscores the enduring appeal of Renaissance art, showcasing how even centuries-old masterpieces can still surprise and inspire us today.